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"Melancholy"

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Already as a child Edvard’s sister Laura was diagnosed as a “melancholic”, and she suffered from severe depressions throughout her life. Edvard was very close to his family and had a good relationship with his sisters. He felt a deep sympathy with Laura and also a great responsibility. During one of her depressive periods he made sketches of her. The sketches later formed the basis of the painting “Melancholy” (“Laura”) in 1899. A new version that was made in 1911 is enclosed in the exhibition at Göteborg Museum of Art. The red pattern of the cloth in the painting has sometimes been interpreted as coagulated blood, and sometimes as a cross-section of the brain. The flower on the table was often used by Munch as a symbol of art that catches its nourishment from blood.

Munch writes about his painting “Melancholy” in his story “Det gula huset” (“The yellow house”):

I let the melancholic sit by the flaming read table with the window in the background – The object was to make her grand and mighty and stupendous in her black mute eternal sorrow – That is just how the melancholic woman whom I saw at a mental hospital was sitting – She did not recognize her sister who spoke to her in gentle words – she did not understand anything – her big black eyes had no lustre – stared empty and immobile out into the room –“

 

 

 

 

 

 

 

 


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© HUBIN updated November 15, 2002 .

Håkan Hall and Ulrika Kahl at Human Brain Informatics
Department of Clinical Neuroscience, Psychiatry Section
Karolinska Institutet, SE-171 76 Stockholm, SWEDEN.
Phone: +46-8-517 75651 Fax: +46-8-34 65 63 E-mail: info@hubin.org